Summer 2021 Schedule Virtual Book Talks

This month, the Program in the History of the Book in American Culture (PHBAC) celebrated its one year anniversary of its Virtual Book Talks series. This new academic program showcases authors of recently published scholarly monographs, digital-equivalents, and creative works broadly related to book history and print culture. Each installment includes a presentation from the ...

Artists in the Archive: Showcasing 25 Years of Artist Fellows at AAS

We love the moments when an artist fellow discovers something totally unique and profound relating to their research. Whether finding an outline of a pressed dandelion in handwritten poem, a children’s book on natural philosophy, the diary of a freed slave who in 1822 sailed to Hawaii as a missionary, or early photographs taken in Yellowstone National Park, these “ah-ha” moments often lead to an unfoldment of ...

Artists in the AAS Archive: September 2020

This week we continue our Artists in the AAS Archive series.  This installment offers a spotlight on four more past fellows: book artist Maureen Cummins; performer-scholar Anne Harley; playwright and screenwriter Jeffrey Hatcher; and playwright and performer Laurie McCants. This series celebrates the 25th anniversary of Artist fellowships at the American Antiquarian Society.  More information about ...

PHBAC Virtual Book Talks Fall 2020 Schedule

In May 2020, the Program in the History of the Book in American Culture (PHBAC) launched its Virtual Book Talks series. This new academic program showcases authors of recently published scholarly monographs, digital-equivalents, and creative works broadly related to book history and print culture. Each installment includes a presentation from the author and a Q&A ...

The Isaiah Thomas Broadside Ballads Project: Now Featuring Comprehensive Transcriptions!

The Isaiah Thomas Broadside Ballads Project has been fully transcribed! Each of the more than three hundred ballads in the collection now has a text-searchable transcription, as well as the option to download an XML file of the document that includes tags related to the subject matter contained within the text (both can be found at ...

How to Sing the Isaiah Thomas Ballads?

David Hildebrand, Ph.D., specializes in researching, recording, and performing early American music. He presents concerts and educational programs throughout the country for museums, universities, and historical organizations, and has consulted for and provided soundtrack materials for numerous documentaries, such as the PBS series Liberty!—the American Revolution, Rediscovering George Washington, and Anthem. He also teaches at ...

The Acquisitions Table: Steel Printing Plate for “Echoes of the Woods”

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Nicolas Valstin, engraver. Echoes of the Woods and Shepherdess and the Birds. Saint Louis: Kunkel Brothers, ca. 1871-1878. This steel printing plate was used to create sheet music covers. The two tunes that would have been found inside this cover were both popular in the United States until about 1900. Both were reissued multiple times by the publishing ...

The Verses go Live! Music added to the Isaiah Thomas Broadside Ballads Project

You can listen to the melody and the lyrics of "The Rose Tree"

Just over a year ago, we launched Isaiah Thomas Broadside Ballads: Verses in Vogue with the Vulgar. With over 800 images and 300 mini-essays, this site offers a unique and comprehensive view of the broadsides that Isaiah Thomas (1749-1831) collected in early nineteenth-century Boston. Each broadside includes a brief explanation of its content by Kate Van Winkle ...

Conservation of the 1709 Bay Psalm Book

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The conservation of the exceedingly rare copy of the 1709 14th edition of the so-called Bay Psalm Book was recently completed, and it is now available for gentle study. This small, outwardly modest book was acquired in the fall of 2013, through funds generously donated by the Fred Harris Daniels Foundation in memory of Bill ...

Writing American Music: The American Vernacular Music Manuscripts Project

Manuscript Music Book Belonging to Mrs. Eliza Everett. This page comes from a calf-bound octavo volume inscribed "Presented to Mrs Eliza Everett Boston Janry 17th 1811" and "Samuel W. Everett. Jany. 24th 1838." The volume contains manuscript copies of 130 English, Scottish, and Irish jigs, reels, and music associated with the theater from the late eighteenth and early nineteenth centuries.

By the mid-eighteenth century, a common rite of passage for many young people in Colonial America was to attend a local singing school conducted by some itinerant music-master. There they learned the names of the notes, time signatures, rudimentary music theory, and how to sing harmony in four parts. For the young, singing schools were ...

Spring Public Programs are here!

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We're finally starting to see some melting and hear some birds singing after this never-ending winter, which also means we're gearing up for the start of our Spring Public Program series! This series begins with newly published books about Lincoln, set to coincide with sesquitennial of the end of the Civil War and the 150th ...

By St. Patrick! Irish Ballads

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This post will present approximately one hundred years of Irish ballads contained within the Society’s collections. The first is a fascinating 1769 broadside containing a New Year’s address by Ireland native Lawrence Sweeney (-1770), a popular figure in New York City journalism in the 1760s. Sweeney is one of the first identifiable Irish-American voices. He ...

The Acquisitions Table: Concert of Sacred Music

F.D. Allen, Concert of Sacred Music, in the Third Associate Reformed Church . . . New York: E. Conrad, 1819. This broadside for a concert given in the spring of 1819 was not identified by Shaw & Shoemaker in their bibliography of American imprints from before 1820, making it an exciting acquisition for AAS. The broadside, ...