Back in 2014, I prepared a post for Past is Present that featured four photographs of newspaper print shops, two from the collection and two recently acquired. In the three years since that post, AAS has added several more occupational images featuring print shops of all shapes and sizes. These images add to our knowledge of the ...
Tag: graphic arts
Put on your hard hats (and thinking caps)!
When the Rijksmuseum was being renovated over a decade ago, I received a postcard featuring a spirited version of Rembrandt’s oil on canvas, “The Night Watch.” I found the playfulness of the image, an icon for the famous museum in Amsterdam jazzed up with construction equipment, so compelling that I kept it. An article appearing ...
New Illustrated Inventory: Bien’s Edition of “Birds of America”
In 1858, John Woodhouse Audubon, son of John James Audubon, set out to recreate the success of his father’s work Birds of America, published in 1838 with four hundred large, hand-colored engravings. John Woodhouse partnered with lithographer Julius Bien and the publishing firm of Roe, Lockwood & Company to create a less-expensive set than the ...
“I Buy My Own Diamonds and I Buy My Own Rings” (And Then Father Will Settle the Bill)
Every year during the rush of holiday shopping, laments can be heard about the commercialization of Christmas and the overt consumerism visible everywhere. But as we’ve posted before, this trend is not really as new as many people might think. The second half of the nineteenth century was bursting with ads, images, and even games ...
The Acquisitions Table: The Great Bloomer Prize Fight
John L. Magee. The Great Bloomer Prize Fight for the Champion’s Belt. New York, 1851. This lithographed cartoon depicts two women in bloomer costume preparing for a fight. One stands at center, ready to box, while the second sits on a man’s knee and hides her face. The cartoon was drawn by John Magee of New York ...
Boo! Bookplates!
Each year as Halloween comes around, the staff here at AAS tries to think of ways to feature the spooky, scary, and creepy material in the Society’s collection. We have shown off our postcard collection and some fright-inducing stereograph photos. We’ve hunted for ghost stories, featured gift book illustrations of the supernatural, and peered into ...
It started with a passport and ended with a duel…
Early in the summer, AAS received a generous donation of graphic arts materials from one of the Society’s members, Jim Heald, via the Worcester Art Museum. Among these items nestled on the acquisitions table was a mid-nineteenth-century passport, which stood out for two reasons. Primarily, until that moment, it had not occurred to me that ...
New Illustrated Inventory: B. T. Hill’s Photographs of the New England Fair
As we draw towards the end of summer, we can now look forward to fair season! Town, county, and state fairs are happening around the country and are filled with plenty of food and entertainment. Luckily, our newest illustrated inventory looks at the New England Fair here in Worcester during the early 1920s through the ...
Perfect Shadows: An Illustrated Inventory of AAS Silhouettes
The American Antiquarian Society’s collection of just over two hundred American silhouettes has recently been cataloged and photographed and an inventory of these profile portraits is now available via a new digital resource. Silhouettes were popular in the United States starting at the end of the eighteenth century. Profile drawings, profile miniatures, and silhouettes all benefited ...
The Acquisitions Table: Daguerreotype Apparatus
Daguerreotype Apparatus. Boston: H.P. Lewis, 1840. The technical elements of daguerreotypy were presented by Louis Daguerre to the world in Paris in August of 1839. By September, a technical manual, in French, was for sale on the streets of Paris and London. At the end of September 1839, an Englishman named D. W. Seager was in New York demonstrating the process, and he ...
#hamildays: A Hamilton-Inspired Journey Through the Stacks
As a monographs cataloger at the American Antiquarian Society, I work primarily with books and pamphlets, often ones printed in the United States during the nineteenth century. However, the twenty-five miles of shelves at AAS hold much more than books and pamphlets, and recently I ventured into collections that were entirely new to me and ...
The Story of Emily & Benjamin
Earlier this year the American Antiquarian Society acquired an important archive of manuscripts and drawings related to American missionary activity in Western Africa. The collection tells the story of a couple, Emily Griswold (1838-1906) and her eventual husband, Benjamin Hartley (1838-1912). Emily was the daughter of the poet and publisher Rufus Wilmot Griswold, who edited anthologies, ...
A broadside of note
AAS member Jane K. Dewey has volunteered in the manuscripts department for almost 30 years and processed forty large collections. Jane most recently organized, housed, and wrote about some of the manuscripts from the Pike-Wright Family papers, a recent donation from Susan Pike Corcoran. Even though the donation includes a substantial collection of ambrotypes, daguerreotypes, and photographs and a ...
An Antebellum Physician’s Kit
The Pike and Wright Collection, donated by Susan Pike Corcoran, has brought to AAS more than the typical materials of photographs, diaries, books, and letters. Along with the genealogical material, a collection of medical instruments used by Dr. Nathan Staples Pike (1819-1857) is now housed within the Graphic Arts Department. You might remember seeing Dr. ...
Time Stands Still in Collection of Family Photographs
Recently AAS was delighted to receive as a gift a large collection of nineteenth-century manuscripts from the Pike and Wright families of northeastern Connecticut. The collection came in two segments, both the gift of Susan Pike Corcoran in honor of her Pike and Wright ancestors. Caches of family records are rich resources for scholars working ...