Fall 2015 Almanac now available!

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The fall issue of our twice annual newsletter, the Almanac, is now available electronically! In addition to all of the usual items—upcoming public programs and conferences, book reviews, and other Society news—this issue has some great features: updates about the future of digital humanity projects at the Society reports about the acquisition of a unique set of daguerreotypes and ...

New Online Exhibition Launched: Women and the World of Dime Novels

Julie Le Roy is one of the more sensational dime novels, full of death and tragedy. Julie is seduced by a young man who promises marriage. When she realizes that he has no intention to marry her, she threatens to stab herself rather than continue as his mistress. She attempts to flee from him, but trips and falls onto her knife. She is one of many women in dime novels to come to a tragic fate as a result of premarital sex.

I’ve written previously about my experiences cataloging the AAS dime novel collection.  I was still fairly early in the process when I discussed the relative quality of three publishing houses: Beadle and Adams, George Munro, and Elliott, Thomes & Talbot. As I have continued working with the collection since, I have had a chance not ...

AAS’s First Digital Humanities Project

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After two years of working under the generous dome, I will no longer be the ACLS Public Fellow and Digital Humanities Curator at AAS. Instead, I will be the Digital Humanities Curator, a full-time staff member. My work will not change much, but this transition from fellow to staffer offers a chance for me to ...

Digital Antiquarian Wrap-Up: The End of the Beginning

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It is hard to believe that after a year of preparations the Digital Antiquarian Conference and Workshop are now behind us. What began as a twinkle in my and Thomas Augst’s eyes when he was an NEH fellow here blossomed into a 10-day extravaganza here at AAS, starting with the largest academic conference the Society ...

New AAS Online Exhibition Launched: Louis Prang and Chromolithography

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When I started working at AAS nine years ago, I did not know much about American prints and printmaking. Lithography and engraving were never the focus of my art history classes. And I only knew Currier & Ives from the prints my mother had hanging in every room in the house, and they were not ...

Metadata Matters: “African American” in the News and in the North American Imprints Program

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This post was co-written by AAS Digital Humanities Curator/ACLS Fellow Molly O'Hagan Hardy and AAS Head of Cataloging Alan Degutis. The New York Times recently reported the “discover[y]” of the earliest known use of the term “African American” from almost fifty years earlier than previously thought. The Oxford English Dictionary attributed it to The Liberator in ...

Spring Almanac now available!

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It's that time again—the latest issue of the Almanac is now out! This issue features stories from every department at the Society, from curatorial and readers' services to outreach and digital humanities. Some highlights include: a generous gift to AAS from a local member and former AAS councilor a new digital project featuring Isaiah Thomas's collection of ...

A Paddy’s Day Present: A Database for Mathew Carey Account Books and a Window into the Early American Book Trade

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A year ago today, we announced work on a database that would make the extensive financial records of Mathew Carey, a Dublin native who came to Philadelphia in 1784, navigable. One St. Patrick’s Day later, we are happy to announce that this resource now exists. Carey’s records include receipts, bills, memoranda, invoices, bills of lading, ...

Omeka Mania at AAS

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We at AAS have figured out one way to beat the winter blues: Omeka! Thanks to the generosity of Jay Last (member since 1987), we held a two-day training session for our staff to learn this content management system for online exhibitions of special collections. Omeka is not archival software, but it was developed at ...

Another year, another annual report (but this time, with Instagram!)

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Many around here thought that this first post-bicentennial fiscal year would be quiet, unexciting, a return to routine. What they didn't count on was the creation of a digital humanities curator position to refine, focus, and expand our already extensive digital projects; an explosion of our social media presence; and of course, the awarding of a ...

Big Data in Early America: Bibliometrics and The North American Imprints Program (NAIP)

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In recent years and in a variety of different ways, librarians are considering how different methodologies brought to bear on historical inquiry might shift their practices. Recent examples include Meg Phillips’s post in which she asks whether distant reading practices should inform archival appraisal practices to support more distant reading. Doing so would mean that archivists ...

The Antiquarian in the Twenty-First Century

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Printed by Senefelder Lithography Company in 1830, the image on the right in the banner above recalls a transatlantic moment when antiquarianism was both a popular fad and an object of ridicule (think Walter Scott’s The Antiquary or Friedrich Nietzsche’s description of the antiquarian as “the mad collector raking over all the dust heaps of ...

“Black Printers” on White Cards: Information Architecture in the Database of the Early American Book Trades

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Since our founder Isaiah Thomas’s research for his ambitious The History of Printing in America (1810), AAS has held the largest collection of data on the early American book trades in North America and the Caribbean. The bulk of this information exists on 25 drawers of cards in our reading room and is known as ...