I’ve written previously about my experiences cataloging the AAS dime novel collection. I was still fairly early in the process when I discussed the relative quality of three publishing houses: Beadle and Adams, George Munro, and Elliott, Thomes & Talbot. As I have continued working with the collection since, I have had a chance not … Continue reading New Online Exhibition Launched: Women and the World of Dime Novels
After two years of working under the generous dome, I will no longer be the ACLS Public Fellow and Digital Humanities Curator at AAS. Instead, I will be the Digital Humanities Curator, a full-time staff member. My work will not change much, but this transition from fellow to staffer offers a chance for me to … Continue reading AAS’s First Digital Humanities Project
It is hard to believe that after a year of preparations the Digital Antiquarian Conference and Workshop are now behind us. What began as a twinkle in my and Thomas Augst’s eyes when he was an NEH fellow here blossomed into a 10-day extravaganza here at AAS, starting with the largest academic conference the Society … Continue reading Digital Antiquarian Wrap-Up: The End of the Beginning
When I started working at AAS nine years ago, I did not know much about American prints and printmaking. Lithography and engraving were never the focus of my art history classes. And I only knew Currier & Ives from the prints my mother had hanging in every room in the house, and they were not … Continue reading New AAS Online Exhibition Launched: Louis Prang and Chromolithography
What do Red Jacket, Pompey Fleet, James Macpherson, Mary Washington, and Geoffrey Chaucer have in common? They all are depicted in, influences for, or creators of the 300 (give or take a few, depending on how you count them) broadside ballads Isaiah Thomas collected from Boston printer Nathaniel Coverly in 1814. Mostly printed in Coverly’s … Continue reading Isaiah Thomas’s Broadside Ballads: Verses in Vogue with the Vulgar
