In recent years and in a variety of different ways, librarians are considering how different methodologies brought to bear on historical inquiry might shift their practices. Recent examples include Meg Phillips’s post in which she asks whether distant reading practices should inform archival appraisal practices to support more distant reading. Doing so would mean that archivists ...
Printed by Senefelder Lithography Company in 1830, the image on the right in the banner above recalls a transatlantic moment when antiquarianism was both a popular fad and an object of ridicule (think Walter Scott’s The Antiquary or Friedrich Nietzsche’s description of the antiquarian as “the mad collector raking over all the dust heaps of ...
Since our founder Isaiah Thomas’s research for his ambitious The History of Printing in America (1810), AAS has held the largest collection of data on the early American book trades in North America and the Caribbean. The bulk of this information exists on 25 drawers of cards in our reading room and is known as ...
Just over a year ago, our graphic arts curator, Lauren Hewes, announced that we had completed the photographing of over 600 political cartoons produced in the United States between 1764 and 1876, and that these images were now available in GIGI, our digital image archive. This comprehensive collection includes everything from early cartoons relating to ...
Samantha Cook is a senior at the University of Wyoming where she is majoring in History and Museum Studies. She spent last summer on an archeological dig in Italy, and this summer, she has been with us at AAS as a catalog camper, doing a completely different kind of digging. When I made the bold decision ...
I left off last month promising details of how the work of early nineteenth-century American antiquarians has, over the last two centuries, morphed into the work of cataloging, archiving, and collecting, of how the “science” of antiquarianism has become the “science” of information. To address this shift, we might start by looking at how the ...
This image, a favorite around AAS, is part of a series a lithographs that circulated in the late 1820s and early 1830s, depicting people as an amalgamation of various objects: shells, vegetables, paintings, and in this instance, relics. This graphic motif harkens back to the Renaissance painter Giuseppe Arcimboldo, whose portrait heads made of similar ...
AAS is excited to announce the launch of an important new digital resource. In partnership with the Worcester Historical Museum, AAS has digitized both the Worcester Historical Museum’s and our own collection of Abby Kelley Foster Papers. Foster was a noted mid-nineteenth-century reformer, involved in both the anti-slavery and women’s rights movements. Both AAS and ...
Under cover of night on the Dublin docks in 1784, Mathew Carey, disguised as a woman, set sail for Philadelphia. Having spent the previous week hiding out in his friends’ bookshops along Grafton Street, Carey decided that this was the only sure way to escape the British officials who were in hot pursuit of him ...
Last week, about twenty AAS catalogers, research fellows, curators, and other staff members gathered to discuss the challenges that come with transforming the visual code of an image into a written code. The creation of metadata in the form of indexing images is an inexact science, and it is one challenge that faces us as ...
