Associate Professor of History at Assumption College Carl Robert Keyes and our digital humanities curator, Molly O’Hagan Hardy, recently collaborated to combine early American history and digital humanities in the classroom. About a year ago, AAS launched the Isaiah Thomas Broadside Ballads Project: Verses in Vogue with the Vulgar. Featuring 338 broadsides, 800 images, and many contextualizing essays, ...
Author: Molly O'Hagan Hardy
Mill Girls in Nineteenth-Century Print: AAS Collections meet DH Pedagogy
Assistant Professor of English at University of Maryland Baltimore County Lindsay DiCuirci and our digital humanities curator, Molly O’Hagan Hardy, recently collaborated to combine early American labor history and digital humanities in the classroom. It is with great pleasure that we introduce to you the latest Omeka exhibition from AAS: Mill Girls in Nineteenth-Century Print. We ...
Converting MARC Records to a Spreadsheet: A Screencast Tutorial
The North American Imprints Program makes the AAS Catalog ideal for bibliometric analysis in the North American colonies and in the early United States before 1820, as I have noted before on Past is Present. In this screencast, I walk you through how to export Machine-Readable Catalog (MARC) records from our General Catalog and then ...
AAS’s First Digital Humanities Project
After two years of working under the generous dome, I will no longer be the ACLS Public Fellow and Digital Humanities Curator at AAS. Instead, I will be the Digital Humanities Curator, a full-time staff member. My work will not change much, but this transition from fellow to staffer offers a chance for me to ...
Digital Antiquarian Wrap-Up: The End of the Beginning
It is hard to believe that after a year of preparations the Digital Antiquarian Conference and Workshop are now behind us. What began as a twinkle in my and Thomas Augst’s eyes when he was an NEH fellow here blossomed into a 10-day extravaganza here at AAS, starting with the largest academic conference the Society ...
Metadata Matters: “African American” in the News and in the North American Imprints Program
This post was co-written by AAS Digital Humanities Curator/ACLS Fellow Molly O'Hagan Hardy and AAS Head of Cataloging Alan Degutis. The New York Times recently reported the “discover[y]” of the earliest known use of the term “African American” from almost fifty years earlier than previously thought. The Oxford English Dictionary attributed it to The Liberator in ...
The Bluecoats: Patriots Past and Present
Patriots' Day offers us a chance to reflect on heroism, on sacrifices large and small, those historic and contemporary, and those made by Revolutionary soldiers and those by star football players. I am of course thinking of our own New England Patriots. One of their former stars showed kindness and concern for me in a ...
A Paddy’s Day Present: A Database for Mathew Carey Account Books and a Window into the Early American Book Trade
A year ago today, we announced work on a database that would make the extensive financial records of Mathew Carey, a Dublin native who came to Philadelphia in 1784, navigable. One St. Patrick’s Day later, we are happy to announce that this resource now exists. Carey’s records include receipts, bills, memoranda, invoices, bills of lading, ...
Omeka Mania at AAS
We at AAS have figured out one way to beat the winter blues: Omeka! Thanks to the generosity of Jay Last (member since 1987), we held a two-day training session for our staff to learn this content management system for online exhibitions of special collections. Omeka is not archival software, but it was developed at ...
Isaiah Thomas’s Broadside Ballads: Verses in Vogue with the Vulgar
What do Red Jacket, Pompey Fleet, James Macpherson, Mary Washington, and Geoffrey Chaucer have in common? They all are depicted in, influences for, or creators of the 300 (give or take a few, depending on how you count them) broadside ballads Isaiah Thomas collected from Boston printer Nathaniel Coverly in 1814. Mostly printed in Coverly’s ...
What We Talk About When We Talk About Archives
Big Data in Early America: Bibliometrics and The North American Imprints Program (NAIP)
In recent years and in a variety of different ways, librarians are considering how different methodologies brought to bear on historical inquiry might shift their practices. Recent examples include Meg Phillips’s post in which she asks whether distant reading practices should inform archival appraisal practices to support more distant reading. Doing so would mean that archivists ...
The Antiquarian in the Twenty-First Century
Printed by Senefelder Lithography Company in 1830, the image on the right in the banner above recalls a transatlantic moment when antiquarianism was both a popular fad and an object of ridicule (think Walter Scott’s The Antiquary or Friedrich Nietzsche’s description of the antiquarian as “the mad collector raking over all the dust heaps of ...
“Black Printers” on White Cards: Information Architecture in the Database of the Early American Book Trades
Since our founder Isaiah Thomas’s research for his ambitious The History of Printing in America (1810), AAS has held the largest collection of data on the early American book trades in North America and the Caribbean. The bulk of this information exists on 25 drawers of cards in our reading room and is known as ...
AAS Collections Launch in Metadata Games
Just over a year ago, our graphic arts curator, Lauren Hewes, announced that we had completed the photographing of over 600 political cartoons produced in the United States between 1764 and 1876, and that these images were now available in GIGI, our digital image archive. This comprehensive collection includes everything from early cartoons relating to ...