Today, the American Antiquarian Society is launching a new illustrated inventory featuring photographs of Native Americans from our graphic arts collection. This collection of 225 photographs spans from 1859 to 1910 and makes available photographs of members of thirty-nine tribes. The collection was compiled as a resource decades ago, long before the creation of the ...
Progress on the new addition to Antiquarian Hall has been moving steadily over the past few months. Collections have been moved for protection, windows abutting the new addition have been boarded for safety, and these days you may even see staff and readers with ear plugs in the reading room, still hard at work despite ...
Back in 2014, I prepared a post for Past is Present that featured four photographs of newspaper print shops, two from the collection and two recently acquired. In the three years since that post, AAS has added several more occupational images featuring print shops of all shapes and sizes. These images add to our knowledge of the ...
Springtime means it is time for the AAS Adopt-a-Book fundraiser! A hearty thank you to all who have participated in this popular event in the past. We have raised over $125,000 for acquisitions over the last nine years. Today, Tuesday, April 4th, we launch our tenth annual online catalog of "orphans" to be adopted. This year, ...
This semester, AAS is partnering with a class from Smith College in Northampton, Massachusetts, as students there learn about the production and popularity of valentines in America. In an upper level colloquium, Professor Laura Kalba and her students are exploring the connections between nineteenth-century print ephemera and the ephemerality of images in the digital era. "Be ...
One year from now AAS will be opening the exhibition Radiant with Color and Light: McLoughlin Brothers and the Business of Picture Books, 1858-1920 at the Grolier Club in New York. The show will feature nearly two hundred books, games, watercolors, toys, and ephemera, all produced by the McLoughlin Bros. firm and their contemporaries. The ...
John L. Magee. The Great Bloomer Prize Fight for the Champion’s Belt. New York, 1851. This lithographed cartoon depicts two women in bloomer costume preparing for a fight. One stands at center, ready to box, while the second sits on a man’s knee and hides her face. The cartoon was drawn by John Magee of New York ...
Each year as Halloween comes around, the staff here at AAS tries to think of ways to feature the spooky, scary, and creepy material in the Society’s collection. We have shown off our postcard collection and some fright-inducing stereograph photos. We’ve hunted for ghost stories, featured gift book illustrations of the supernatural, and peered into ...
The American Antiquarian Society’s collection of just over two hundred American silhouettes has recently been cataloged and photographed and an inventory of these profile portraits is now available via a new digital resource. Silhouettes were popular in the United States starting at the end of the eighteenth century. Profile drawings, profile miniatures, and silhouettes all benefited ...
Daguerreotype Apparatus. Boston: H.P. Lewis, 1840. The technical elements of daguerreotypy were presented by Louis Daguerre to the world in Paris in August of 1839. By September, a technical manual, in French, was for sale on the streets of Paris and London. At the end of September 1839, an Englishman named D. W. Seager was in New York demonstrating the process, and he ...
Nicolas Valstin, engraver. Echoes of the Woods and Shepherdess and the Birds. Saint Louis: Kunkel Brothers, ca. 1871-1878. This steel printing plate was used to create sheet music covers. The two tunes that would have been found inside this cover were both popular in the United States until about 1900. Both were reissued multiple times by the publishing ...
Earlier this year the American Antiquarian Society acquired an important archive of manuscripts and drawings related to American missionary activity in Western Africa. The collection tells the story of a couple, Emily Griswold (1838-1906) and her eventual husband, Benjamin Hartley (1838-1912). Emily was the daughter of the poet and publisher Rufus Wilmot Griswold, who edited anthologies, ...
Recently AAS was delighted to receive as a gift a large collection of nineteenth-century manuscripts from the Pike and Wright families of northeastern Connecticut. The collection came in two segments, both the gift of Susan Pike Corcoran in honor of her Pike and Wright ancestors. Caches of family records are rich resources for scholars working ...
After Arthur F. Tait. Life on the Prairie. The Trappers’ Defence [sic]. "Fire Fight Fire." New York: Currier & Ives, 1862. Large folio lithographs by Currier & Ives represent the pinnacle of the firm’s production and were the most costly images that they issued. This image of western trappers setting fire to the prairie to act ...
In December it is traditional to send Christmas cards. We have discussed this practice on the AAS blog in the past and also have looked at the popularity of the New Year's card, something that has fallen out of fashion entirely in the United States. But one aspect of nineteenth-century holiday cards that we have ...
