The Society’s collection of photographs of working print shops continues to expand (see blog posts on this topic from 2014 and 2017). Most of the photographs feature businesses in New England, New York, or Pennsylvania. This newly acquired photo, showing a tidy shop with a ca. 1882 Hoe flatbed newspaper press, was taken in Nebraska. ...
In advance of my summer work placement at the American Antiquarian Society, I discussed a slate of proposed activities with Chief Conservator Babette Gehnrich while in New York City. On their list was a housing project for manuscripts, standardized treatments of broadsides, and an introduction to digitization workflows for the Society’s collections. “Also,” she mentioned ...
Since the late 1960s, the American Antiquarian Society has been a sponsor of the Cooper Edition, a scholarly edition of Cooper’s works that conforms to the editorial principles approved by the Committee on Scholarly Editions (CSE) (formerly the Center for Editions of American Authors) of the Modern Language Association. To facilitate the production of the ...
This summer, even amidst the COVID-19 pandemic, I was given the immense privilege to be the first Seiler Curatorial Intern at the American Antiquarian Society. Even through uncertain times, the Society and my supervisor Ashley Cataldo, Curator of Manuscripts, advocated for my internship and was able to offer me a blended virtual and in-person experience. As ...
This week we continue our Artists in the AAS Archive series. This installment offers a spotlight on four more past fellows: book artist Maureen Cummins; performer-scholar Anne Harley; playwright and screenwriter Jeffrey Hatcher; and playwright and performer Laurie McCants. This series celebrates the 25th anniversary of Artist fellowships at the American Antiquarian Society. More information about ...
