As has been blogged on Past is Present before, AAS has an extensive and representative assortment of nineteenth- and early-twentieth-century valentines. Part of the Graphic Arts Collection, these ephemeral pieces of affection were exchanged on or before February 14, as Valentine’s Day provided the perfect opportunity to give that special someone a card. Many were ...
Bufford, J.H. Vinter dragt [i.e. drakt] fra Karasjok i Finmarken and Dragter [i.e. Drakter] fra Hitterdal i Tellemarken. Costume plates from Norway Illustrated. New York: Arthur Gilbert & Co., 1872. AAS holds an uneven medley of the pieces that made up an ambitious 1872 printing called Norway Illustrated. The set was to be issued by New ...
American Fortune Telling Cards, with Directions. New York and Philadelphia: Turner & Fisher, after 1835. 36 cards with box. AAS has several sets of fortune telling cards in its Toys and Games collection. This set features typical four-suit cards suggesting travel, wealth, poverty, love, etc., but is distinctive because many of the images feature American eagles, ...
The Society's Graphic Arts collection is a wonderful place for browsing, looking for visual evidence of whatever topic you may be working on. I have helped researchers hunt in the collection on such broad topics as death, food production, and dress, and as specific as orphaned children, methods of doing laundry, and book shop interiors. As ...
It’s no wonder Louis Prang is considered the “Father of the American Christmas Card.” During the height of chromolithography in the 1860s, 70s, and 80s, Prang’s firm in Boston introduced the concept of the Christmas card to America and produced over 5 million greeting cards per year. While Prang’s Christmas cards are displayed often, in ...
At this time of year, when shopping becomes a constant (and sometimes stressful) preoccupation, it’s easy to forget that for many people it’s a pleasurable pastime. Not just because of what you actually buy, but also because of the searching, comparing, matching, and imagining that all make up the act of shopping. As it turns ...
As many researchers already know, life stops in 1876 for many parts of the American Antiquarian Society’s collections which are limited to the pre-Centennial era. Recently, however, the Society has amended its collection policies to permit the curator of graphic arts to add prints produced between 1876 and 1900 to the Society’s holdings in order ...
It has been a big year for some of the country’s most important documents. January saw the sesquicentennial of the Emancipation Proclamation, and just last week was the 150th anniversary of the reading of the Gettysburg Address. This Thursday in the United States we celebrate our national day of Thanksgiving, and so are looking back, ...
Last week, curator of children's literature Laura Wasowicz posted about finding a unique find in a dusty house. This week, curator of graphic arts Lauren Hewes talks about another tack curators more often have to take: "hard work and diligence." Recently, the Society’s curatorial staff was asked to blog about significant acquisitions and the process by ...
The collection of election ballots at the American Antiquarian Society is an impressive group of 952 items spanning the nineteenth through the early twentieth centuries. Several of these are individual ballots for specific elections, others are completely uncut; some are annotated, others are marked-up canvassing sheets (with sample tickets) or are comprised of paste downs. ...
In the most recent issue of the Almanac, we had a feature article about the process of bringing new items into the collection. This got us thinking about some of the interesting ways in which these treasures are found. In the coming weeks, each curator will share one of their favorite stories about finding a ...
Nothing is hair-raising quite like a chilling photograph. This month, when the occult is most heavily sought after in popular culture, we made a small collection accessible which examines death, the afterlife, photography, technology, and (naturally) print culture. AAS’s impressive collection of stereocard views includes a subset categorized as “Ghost” images. This includes approximately 31 images ...
Address of the Carrier of the Kentuckian. Frankfort, Kentucky: s.n., A.T. Leonard., 1830. This broadside is the earliest example of a Kentucky carrier’s address in the AAS collection (earlier addresses are known, but are lacked by the Society). Bordered with elegantly laid out type ornamentation topped off with eagles and a cut of a printing press, ...
This fall, the American Antiquarian Society, with the generous support of the Terra Foundation, is sending an important exhibition of American lithographs to the Musée Goupil in Bordeaux, France. The exhibition, À la mode francaise: La lithographie aux États-Unis 1820 to 1860, will be opening on September 6 and closing on November 10, 2013. The ...
Schultz, Christian, after Richard Caton Woodville. Cornered! [Waiting for a Stage].Lemercier lithographer. New York & Paris: Goupil& Co., 1851. With the exhibition and publication of With a French Accent: American Lithography to 1860, (Davis Art Center, Wellesley College 2012 and MuséeGoupil, Bordeaux, France 2013) the American Antiquarian Society has become a resource for the study ...
