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an online forum for early American discovery, discussion, and diversion from the American Antiquarian Society

March 9, 1870 Wednesday, In the Life of a Blacksmith: Blacksmithing again.  On our big wagon.  I drilled and bolted the wheels today.  In the eve I read [C-- C--] and then wrote a letter to Simon.

The Acquisitions Table: Scripture Scenes

December 28th, 2009, by Tom Knoles

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If the holiday leftovers are still lurking in our refrigerators, we figure there’s still time for one more Christmas-themed post, courtesy of Curator of Children’s Literature Laura Wasowicz.   The charming engraving below raises two interesting questions you might want to mull over as you finish off the pecan pie.  First, where would Anderson have seen the image upon which this engraving is based? I’m guessing it was reproduced in a book or as a print he saw.  Second, what is that object in front of the kneeling Magus? Perhaps it has to do with gold, frankincense or myrrh? Or is it his turban? Is it a recognizable part of the iconography of the Magi?

4P8V7391

Fawcett, John, 1740-1817. Scripture Scenes. Cadiz, OH: H. Anderson, 1829.

This is a scarce early Ohio imprint; it is rarer still in that it contains nine hand-colored metal engravings probably executed by its publisher Hugh Anderson (1782-1866), who worked as an engraver in Philadelphia prior to his move to Ohio. Anderson based this engraving of the Adoration of the Wise Men upon a painting by the 16th-century Italian master Jacopo Bassano, shedding new light on the types of access that American children living in the Old Northwest had to Renaissance art. Purchased from David M. Lesser. Ruth E. Adomeit Book Fund.

~ Laura Wasowicz


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Do you hear what I hear?

December 22nd, 2009, by Diann Benti

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santa_claus

Within the roughly 60,000 pieces of sheet music in the AAS collection, a devilish and spry Santa Claus waits for just this time of year.  At the first talk of Christmas, he appears, dancing on a chimney while playing the violin.  This 1846 incarnation of Santa Claus stands on the cover of the Santa Claus Quadrilles, painted by the anonymous Spoodlyks. The accompanying music was composed by Harvey B. Dodworth.

Separated into five parts and characterized by sections of eight measures, the quadrille was intended as popular dance music.  The 6/8 beat of two of the parts encouraged intricate steps and was a forerunner to the square dance.

In the spirit of Dodworth’s Quadrille Band, the AAS Readers’ Services Follies offer you a small sampling of the music: No. 5 of the Quadrilles played by Andrew Bourque. We’ve provided the music itself, but you’ll have to bring the dancing. Happy Holidays!

Santa Claus Quadrilles No. 5


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Santa Claus Exposed

December 14th, 2009, by Diann Benti

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AAS’s The Children’s Friend: A New Year’s Present is one of just two known copies of the 1821 pamphlet.  Fifteen centimeters tall and eight pages deep, the paper-covered volume stood little chance of survival in the hands of generations of American children. But there was one family fastidious enough for the task, and by chance they would be among AAS’s most important benefactors.

The Salisbury family provided AAS, notably, with two of its presidents, 67 boxes and an additional 100 bound volumes in manuscript materials, and the land for the library’s current home. In 1897 the Society also received the childhood book of  one of those presidents, Stephen Salisbury III. Six-year old Stephen received The Children’s Friend in 1841 as a gift from Kitty Lawrence.

What makes this little book so important?  Put simply it is believed to be the first American Christmas picture book. But we asked Laura Wasowicz, Curator of Children’s Literature, and Gigi Barnhill, Director of CHAViC for a few more details.

  • chimneys~The publishing location, New York City, is important. The brick chimneys visible as “Old Santeclaus” lands his sleigh indicate an urban environment.
  • ~The pamphlet falls within a set of attempts by well-to-do New Yorkers to domesticize the holiday from a time for rowdy alcohol-infused parties and mob revelry to a safe, family-focused holiday. The Children’s Friend joined efforts by New York Historical Society founder John Pintard and Clement Clarke Moore (author of the poem “A Visit from St. Nicholas” first published in 1823).*
  • ~The story offers the first visit by St. Nicholas on Christmas Eve (instead of his Saint’s day December 6th), as well as the first appearance of his reindeer.
  • ~While the “long, black birchen rod” left for parents with naughty sons might seem a harsh ending to modern readers, it was in keeping with the parlance of the day. In a time when a children’s book might conclude with a child burned to death for playing too close to the fire, The Children’s Friend is in fact a gentle cautionary tale.
  • family~The Children’s Friend is considered the first American example of a completely lithographed book.  Lithography (the practice of drawing on limestone with waxy crayons to create a master image that absorbed ink) was introduced in the United States in the early 1800s.
  • ~Unlike engraving, lithography did not require the same high level of skill to execute and could make up to 100,000 impressions with one stone.  But the technology did require special equipment and a specific type of printing press.
  • ~Barnet and Doolittle, the firm that likely lithographed the pamphlet, was the first commercial lithographic printing shop to be established in the U.S.
  • santeclaus_text~The publishers used lithography as an inexpensive alternative to engraving and avoided the expense of multiple presses by lithographing both illustration and text (you can see that the text looks handwritten).
  • ~The color, added by hand after printing, suggests the pamphlet was expensive to buy.

*Historian Stephen Nissenbaum discusses The Children’s Friend and explores the transition to a family-oriented holiday in The Battle for Christmas (New York, 1996). Nissenbaum did much of his research at AAS  as a long-term fellow.


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Christmas Treasures: Flip through the pages of The Children’s Friend

December 7th, 2009, by Diann Benti

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childrens_friend_stocking_croppedIt’s that time of year. Time to take ornaments out of boxes, shake the dust from stockings, and hang wreaths on front doors.  The holiday season is no different at AAS. santaDecember is the one month when it’s appropriate to pull out all of our wonderful Christmas treasures– after all who wants to see Santa Claus in July?  We hope you will enjoy (or bear with us) as we share these seasonal gifts from our collections.

And we’re starting big with the 1821 Children’s Friend. Curator of children’s literature, Laura Wasowicz, gives this little softcover book a heartfelt endorsement, “I never get tired of looking at it.” Read it now and check back with us next Monday for a behind-the-pages discussion with our curators.

N.B.: Clicking on the corner of any page below will turn the page, and double-clicking on one of the amazing illustrations will zoom in for a more detailed view. Hope you enjoy this treasure as much as we have!


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