pastispresent.org
an online forum for early American discovery, discussion, and diversion from the American Antiquarian Society

March 11, 1870 Friday, In the Life of a Blacksmith: Blacksmithing again.  Finished our big wagon.  Went to a small party up to Sarah & Bullard’s.  Got home at nine and a half.  Wrote a letter to Sara Darling.

Call for Co-editors for an AAS Glossary

February 1st, 2010, by Elizabeth Watts Pope

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The American Antiquarian Society is almost 200 years old. I guess that’s not entirely shocking, given that “Antiquarian” is in our name, but sometimes it’s easy to forget that when we were founded there were no functional steam-locomotives, no sewing machines, no modern matches.  Napoleon was still fighting his way across Europe.  Even “The Star-Spangled Banner” had yet to be written.

While I think you’ll agree we look very good for our age, two centuries of continuous collecting has given us a few wrinkles. Not everything is exactly where it started. In fact, the various stages of arrangement and cataloging of our collections provide a complete, if eccentric, history of librarianship and cataloging technologies.

Searching for collection material can feel like an archeological dig through layers of accumulated cataloging.  You hit strata from multiple centuries working backwards in time.  Level 1: digitized products. Level 2: online records.  Level 3: microform.  Level 4: a unique cataloging system.  Level 5: handwritten card catalogs.  Level 6: lists of collection material.  Level 7 (and this is the most tenuous of all): the back recesses of a librarian’s mind.  As the AAS Librarian reported on October 23, 1829:

The number of volumes now in the library exceeds eight thousand, and these are rendered almost useless from the fact that there are only two or three individuals who are acquainted with their arrangement or contents, and perhaps no one who can at all times find the book called for.

It may sound daunting, but this historical evolution is actually one of my favorite parts of working at AAS. It puts our collections on a human scale, since we are all slowly evolving.

Once you’ve worked here for a while, the weirdness wears off. You don’t have to consciously struggle to remember each unusual term. In fact, it becomes increasingly difficult to recall which words are common parlance, which are specific to “library people,” and which are AAS originals (which as you will see is a category onto itself). Here are some examples off the top of my head, in no particular order.

Things in the AAS Reading Room (other libraries may have these too):

1. Book Snakes (hint: here’s a picture of them in their natural habitat)booksnake
2. Trucks (seems like they wouldn’t fit in the building, but have you seen our dome? — it could be the new Thunderdome)
3. Cradles (for those sleepy researchers)
4. Fellows (they’re jolly good)
5. Call Slips

AAS Neologisms:

1. Cataloging campers (do they get to sleep over?)

2. Red sleeve (sounds cheerful, if somewhat lacking as a garment)

3. The Buff (which appropriately enough goes in a red sleeve to cover it up)

4. Pink Slip (given the scary recent unemployment figures, it’s not as bad as it sounds)

5. Stacks, Locked Stacks, & Stack D

6. Exit Passes

Most of the foregoing are merely amusing, but other terms can really benefit your research.

AAS Collection Names (most are abbreviations and so pretty easy to figure out, but they sometimes sound funny):

1. Lithf, Lithff, and Lithfff as well as Engrf, Engrff, Engrfff (sounds like a stuttering problem)
2. First Eds
3. Bibs (I thought we weren’t supposed to have food in the library)
4. CS5 (an American version of the MI-5)
5. Classed Collections (where are the gendered collections?)
6. Pams, Misc Pams, Dated Pams (way too many folks named Pam)
7. Dated Books (a bibliophile’s dream)
8. Digital Evans (Why didn’t they ask Digital Evans?, for the Agatha Christie fans among us)
9. Shaw-Shoemaker (which sounded vaguely like a Native American name to me)

Imaginary Places at AAS (my personal favorite, you may come across these figments in the card catalog):

1. First Eds Room
2. Map Room
3. Alcove B, or F, or D

Book Terms:

1. The Gutter (get your mind out of there!)
2. Chain Lines (sounds a little scary)
3. Provenance (sadly not the region in France, but almost as cool)
4. Ghosts (a term that seems to haunt the library)

The fascinating stories behind these odd terms will be periodically revealed in posts on Past is Present, as the fancy strikes us.  Hopefully, it will strike once a week. Our ultimate goal is a comprehensive AAS Glossary (hey, a girl can dream). While some of the above terms are common to many libraries, our definitions will be sprinkled with a generous dose of AAS history. After all, our 200th birthday is coming up soon so now is a good time to brush up on your AAS trivia to impress your friends and relatives.

To help us reach this goal, we  invite our Past is Present readers to join us as co-editors. The OED created a massive linguistic team by harnessing the power of individual readers and so can we!  When you think of another good example of an odd library term (from AAS or elsewhere), or if you see something in the lists above you’re particularly curious about, let us know and we’ll try to post on those first.

Better yet, feel free to comment on this post with your own definitions — the snarkier the better! I am confident you all will come up with some truly witty definitions to replace my corny one-liners.


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Type Findings: Introducing the AAS Printers’ File

December 21st, 2009, by Ashley Cataldo

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Avis G. Clarke, cataloger-cum-researcher of early American imprints and printers, Avis Clarke filled hundreds of AAS card catalogue drawers with the AAS printers’ file. Detailing the lives and works of virtually every printer working in America before 1820, the printers’ file is a masterpiece of indexing. Comprising 134 drawers of biographical, printing, and publication history for a vast number of printers before 1820, and 11 drawers for the post-1820 period, the printers’ file represents the perfect merger of detailed research and scholarly vision on the world of early American printing.

printers_file
As I methodically enter Ms. Clarke’s carefully compiled data into a series of spreadsheets that translate her print index into digital format, I imagine that Ms. Clarke’s own curiosity must have been piqued by printers like James Draper Bemis. printers_file_bemis_diedSued for libel by Micah Brooks in 1811, Brooks was one of the earliest surveyors of New York state and would go on to become U.S. Representative in the Fourteenth Congress. Bemis’ own newspapers, the Western Repository (1804-1809), the Ontario Repository (1809-1828), and the Onandaga Register (1814-1817), all at AAS, leave no record of the libel suit. (For further information on the libel suit, click here). Just as mysterious is Bemis’ commitment to the Utica State Hospital in 1848, release in 1849, and re-commitment to the Vermont Asylum for the Insane in 1850, where he died in November of 1857. Clarke never pried into Bemis’ life, yet her cards consistently tug at the curious researcher.

Ms. Clarke had to combine the skills of historian, genealogist, and bibliographer as she created the printers’ file. She never judged or discriminated against the printers: each printer received his own set of cards, in some cases one or two and in others a half-drawer full. Ms. Clarke had to sort through some complex histories of printing families, such as the Adams family. James Adams, patriarch and first printer in Wilmington, DE, was father to John Adams, publisher of the Delaware Courant. James Adams’ firm, James Adams & Sons, comprised James, John, James Jr. and Samuel. Samuel and John published the Delaware and Eastern-Shore Advertiser from 1794-1799, while Samuel and James Jr. printer together in 1786. The whole family printed together from 1788-1789. Sorting through the interwoven histories of family history and newspaper publishing seemed to become one, but only one, of Ms. Clarke’s specialties.

The printers’ file is an AAS treasure, and Ms. Clarke’s excruciatingly detailed work remains an exemplar of AAS cataloging, scholarship, and research. Keep reading PastisPresent for more from Type Findings.


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