Each year as Halloween comes around, the staff here at AAS tries to think of ways to feature the spooky, scary, and creepy material in the Society’s collection. We have shown off our postcard collection and some fright-inducing stereograph photos. We’ve hunted for ghost stories, featured gift book illustrations of the supernatural, and peered into ...
Want to see a souvenir score card from the 1915 World Series between the Red Sox and the Phillies? How about first editions by Lewis Carroll, Stephen King, Jonathan Swift, Sylvia Plath, or Toni Morrison? A signed photograph of Harry Houdini? A book printed from wood blocks in 1250? An illustrated Japanese edition of Don ...
In the mid-nineteenth century, “taking the waters,” or hydropathy, became a fashionable so-called natural therapy. It was first promoted in Europe by Austrian Vincenz Priessnitz after he claimed to have mended his broken ribs in the spring waters of Grafenberg, Silesia. His spa attracted crowds, including royalty. Joel Shew, a physician from New York, became ...
“This project will secure the base of collection and program management as AAS moves forward with strength and purpose into its third century.” – Bill Reese, AAS Councilor Usually we plug new issues of the Almanac by talking about great recent acquisitions, upcoming programs, and spotlights on AAS history and new projects. This is no different ...
AAS recently collaborated with the Lapidus Center for the Historical Analysis of Transatlantic Slavery to create our latest exhibition, Revisiting Rebellion: Nat Turner in the American Imagination. A man who has been immortalized as a hero and condemned as a charlatan, mourned as a victim and reviled as a traitor, Nat Turner lives in myriad formats and genres ...
On a beautiful sunny day in June, AAS Director of Outreach Jim Moran and I headed out to Historic Deerfield in western Massachusetts to meet up with a film crew from Northern Light Productions. Surrounded by the dark wood and heavy equipment of the Wilson Printing Office, it wasn’t difficult to set the stage for ...
